Showing posts with label acting. Show all posts
Showing posts with label acting. Show all posts

Monday, 25 February 2013

Oscars 2k13

Sunday 24th February 2013:
*Jennifer Lawrence (aged 22 and a bit) won an Oscar for best actress and celebrated deep into the night. Wearing Dior.
*Lisa Neiss (aged 21 and a bit) watched a bit of TV and went to bed. Wearing spotty pyjamas.

At least Quavenzhane Wallis (aged 9 and a bit) didn't win. Go and play in the sandpit.

But no, I am no cynic.

The gowns were gorgeous and the dancing delightful. Charlize and Channing, I didn't know you had it in you! And Adele winning her little Oscar.. very much deserved! Oh and Jennifer Anniston in her Valentino. Valentino you god. Despite being the 85th ceremony, the 2013 Oscars were like every year.. fun to watch for the glitz, the glamour and the grandeur.

Monday, 18 June 2012

Shakespeare Festival


2012 is the year of the Brits: as the Olympics and the Diamond Jubilee take centre stage, the Royal Shakespeare Company (RSC) follows suit and will stage the World Shakespeare Festival from April until September this year in a bid to put “art at the heart of the Olympics.”
The World Shakespeare Festival forms part of the London 2012 Cultural Olympiad, the largest cultural celebration in the history of the modern Olympic and Paralympic movements. Since 2008, more than 16 million people participated in or attended performances nationwide, over 160,000 people attended more than 8,300 workshops and an excess of 3.7 million have taken part in almost 3,700 ‘Open Weekend’ events; all inspired by London 2012. The London 2012 Festival, in accordance with the London 2012 Olympics, will reach its peak by providing over 10 million opportunities to see free world-class events throughout the UK at various venues.
Ruth Mackenzie , Director of the Cultural Olympiad and London 2012 Festival, describes the breadth of The World Shakespeare Festival as “a celebration of Shakespeare as the world’s playwright, produced by the Royal Shakespeare Company in an unprecedented collaboration with leading UK and international arts organisations and with Globe to Globe, a major international programme produced by Shakespeare’s globe, it’s the biggest celebration of Shakespeare ever staged.”
Almost 60 partners will come together to bring the World Shakespeare Festival alive and thousands of artists from around the world will take part in almost 70 productions. There will also be supporting events, exhibitions and educational events right across the UK, including in London, Stratford-upon-Avon, Newcastle, Birmingham, as well as online. The festival will run from April 23rd to November 2012, forming part of the London 2012 Festival, the culmination of the Cultural Olympiad, and the idea is to bring leading artists from all over the world together in a UK-wide festival this summer. Over one million tickets are on sale, so the emphasis is for all to get involved.
Michael Boyd, Artistic Director of the RSC, equally puts emphasis on Shakespeare as a vehicle for multiculturalism: “The World Shakespeare Festival celebrates this most international of artists at a time when the eyes of the world will be on London, that most international of cities, for the Olympic Games.”
Although “William Shakespeare is our greatest cultural export” as Boris Johnson has put it, the festival’s productions are not limited to Shakespeare’s plays. Other so-called themes include: ‘Arab Theatre Season’, ‘Globe to Globe’, ‘Open Stages’, ‘Shakespeare Re-imagined’, ‘Nations at War’ and ‘What Country Friends is this?’ In spite of this, the themes adopted by the RSC are definitely influenced by the Bard. ‘What Country Friends is this?’ encompasses Shakespeare’s shipwreck trilogy:The TempestThe Comedy of Errors and Twelfth Night, and these are cast from one acting company, looking at migration, exile, and the discovery of brave new worlds. King JohnRichard III and A Soldier in Every Son – The Rise of the Aztecs are the three plays under the umbrella title ‘Nations at War’, exploring the struggle for absolute power and the right to lead a nation. Further productions include A Midsummer Night’s Dream and Julius Caesar, but also adaptations like Romeo and Juliet in Baghdad or Two Roses for Richard III.
In addition, the Globe in London has announced its Globe to Globe Festival as part of the Shakespeare celebrations for the London 2012 Festival and will endeavour to present all of Shakespeare’s plays over 6 short weeks. Whilst it will stage one production itself, the remaining 36 plays will each be performed in different languages by different countries from around the globe, the epitome of global arts coming to London in celebration of this momentous year and as part of the events, which will be the finale to the Cultural Olympiad
All content © 2006 - 2012 Impact Magazine



Monday, 20 February 2012

A 'Mini' Interview

(Interview on 17/02/12 as appeared on The National Student)

With one successful series already under her belt, Freya is still living the dream. As a keen follower of Skins right from the early days having the opportunity to join was like “loving a band, listening to their music, then suddenly being allowed to go on tour with them!” But with such a big respect for Skins legacy, it was obviously very daunting having to step into such large shoes and yet she’s done it well, even taking the sex scenes in her stride…
Freya Mavor
Freya has a very rational approach to this, it’s simply something actors have to do! “Look at Michael Fassbender’s graphic sex scenes in Shame! Of course it’s a slight dread, but a bigger challenge is almost better. But it’s not just the sex Skins depicts teen "issues" such as parties and alcohol, but recent episodes have also featured death and physical violence…surely this isn’t common in an average teenager’s life? “Skins tries to catch on to relatable issues, but it’s a drama, so it needs drama!” says Freya, explaining that Laya (who plays Liv) has the perfect theory: “it’s all the crazy stories you hear at school apparently happening to various people, all mushed up, happening to one friendship group!”

The fact that such a wide audience (including friends and family) see her explicit scenes is part of the process to Freya.
“Once they’re out, they’re out and at the end of the day they’re there to move the story along.”
Her nerves prior to filming have also settled, “It depends completely on the scene and the awkwardness and mindset of the character…an hour in you kind of get over it!”

She describes a certain ease and confidence filming this series compared to the first series, she’s gained confidence and a certain know-how and is better at tapping into the right emotions. Yet she still admits to nerves. “I’m apprehensive in the sense that I want to give a good performance.” Hence having a whole episode focused on her is both exciting and daunting; “Acting is what I want to do, therefore it’s good to showcase my talent, but yes, the pressure’s on!”

It’s obvious she is committed to her cause. “I loved filming the scenes and it’s always a lot of hard work that goes into it. It’s great to watch it back and remember the filming process!” But it’s not all smooth sailing…Mini’s episode deals with some big and emotional issues, not always easy to take in your stride. “I’d just filmed a really intense crying scene and then went straight into a more chatting and upbeat one and I just couldn’t do it! It really affected me, to achieve raw emotion you have to invest in it; it takes it out of you, and immersion becomes more and more believable…”



Yet Freya makes it very clear that she’s different to Mini, far more “gangly and awkward” whilst Mini is a “cold fish!” She explains that she doesn’t do bitchy, she “doesn’t have the balls” to pull it off and would definitely crumble! Then again when she started playing her, she considered herself and Mini to be polar opposites, but since, she’s discovered that she’s a bit like Mini in the sense that she likes to know what’s going on! Even so, in her daily routine nothing has changed. “When I started, I though I’d have to polish up, but I’m still scruffy! It’s important to hold onto your identity.”

Since she hit our screens, Mini has developed quite a bit from a secretly insecure virgin with body issues, to a more promiscuous young lady, accused of ‘not being able to love anything.’ This is where her episode on Monday comes in: “she’s been carrying a big burden on her own and a big secret is revealed. In the past she’s been let down and deceived by men, so she’s learning to trust and prove she’s independent…she can have a man on the side!”

Maybe this is why her clothing has changed slightly? The Skins costumes, Freya explains, “emulate what the character is going through.” Her comment that “when at end of day you’re taking off your costume, you’re also taking off your character’s skin” proves that acting is something that she is clued-up and serious about, and her stint on Skins has only validated this, giving her the valuable experience of acting on a professional basis; her ideal career.

A member of The National Youth Theatre, Freya has a sound knowledge of the industry and her practical take on it is amazing.  “Whilst it’s important to embody your character, you can’t isolate yourself from real life, method acting is good, but there’s a fine line between it and losing yourself…” Perhaps this is why she has stayed so down-to-earth? “It’s a hard industry, so hit-and-miss…so it’s important to keep other things going.” Clearly this isn’t a problem for her, juggling filming with finishing her A-levels. “I’m just a bit geeky in that sense, so I worked hard.”

Fair play to her, maybe it's something Mini could look into…

Sunday, 19 February 2012

Skins Chat

So the other day I was lucky enough to interview Skins's very own Freya Mavor (aka Queen Bee Mini McGuiness...) the interview should go up on The National Student very soon, I'll let you know! x